Tipper (Dave Tipper) is a British producer and DJ specializing in nu skool breaks, electronica, and trip hop.
Although mostly known in the breakbeat scene, Tipper’s output includes strong hints of electro amongst other styles. He is known for his interest in extreme bass frequencies, with his releases often including lengthy sub bass test tones at the end. He, and like-minded people from his label Fuel Records, have also engaged in stunts like emptying a swimming pool, covering it with an acoustic canopy and enjoying the bass, or drowning out The Prodigy on the main stage of the V Festival with their car sound systems parked several miles away.
Tipper also records under the pseudonym Crunch with Mike Wallis aka Psi Spy.David Sugalski, a.k.a. – Ample Mammal, a.k.a. The Polish Ambassador is a beat machine from the future. Hailing simultaneously from the far reaches of other dimensional Universes and… Oakland, California, this dude drops his own unique blend of electro-funked, glitch-tweaked, wobble-freaked breakbeats that will have you dropping that bottom like it was 92…..3092, that is.
The Ambassador builds all of his live sets from a monstrous stash of original drums, bass, synth, and vox lines. ‘No Genre Left Behind,’ Sugalski jokes as he blends elements of funk, glitch, idm, hip hop, 80s music, jungle, and dub into a beat soup that will instigate healthy doses of booty shake and fist pump.
Claiming to be Poland’s ambassador to the Universe, Sugalski has released 7 studio albums. Diplomatic Immunity in 2007, The Phantasmal Farm in 2008, I Found Him. Now I Must Kill Him in 2009, Mating Season (released under the Ample Mammal alias in early 2010), First Words in 2010, Future, Sex, Computers in 2011, and a follow up remix album for Future, Sex, Computers, Future Sex, Computers (Remixes and B-Sides).
All 7 albums have obtained favorable press and achieved regular rotation on college, independent, and internet radio. Synthesizers and a pure spirit are his primary weapons. Join his army and help Polish annihilate bad beats marring the earth with shame and disgrace.Original, emotional, visceral. These are all words that are used to describe Noisia’s music and each is more than justified. In less than a decade the Dutch trio, renowned for their unparalleled technical skill, has gone from releasing drum & bass on now defunct independent labels to crossing multiple genres, scoring for triple A video games, having their music used on trailers for Hollywood blockbusters and producing and remixing tracks for some of the world’s biggest artists.
Working from their studio in their hometown of Groningen Nik Roos, Martijn Sonderen and Thijs de Vlieger have gradually developed and cultivated a sound that’s all their own; a sound that’s obsessed with production techniques; a sound that’s instantly recognisable whether you’re hearing three minutes of a Noisia track dropped at a festival or three hours of it while playing Devil May Cry 5. Having pushed the envelope and successfully managed to blend incredible sound design with unrelenting and uncompromising beats and basslines, Noisia’s sound is undoubtedly unique.
In 2003 the trio released their first forays into drum & bass on underground labels such as American label Shadow Law Recordings and Glasgow-based Nerve. From there it wasn’t long before those at the top of the D&B scene began to take notice, as legendary imprints like Moving Shadow, Renegade Hardware, Subtitles and DJ Friction’s Shogun Audio all lining up for the latest Noisia release. In just two years the young Dutchmen had become the go-to producers for hard and heavy beats and had remixed one of the D&B scene’s biggest anthems, Konflict’s ‘Messiah’.
Taking the next logical step, the group decided to set up their own label. Having gained their name by reading an upside down VHS tape with the word ‘vision’ written on it, Noisia re-inverted polarities and Vision Recordings was born. Vision has played host to a series of Noisia’s best singles and EPs, including the anthems ‘Stigma’, ‘The Tide’, ‘Dustup’ and KRS One vocalled ‘Exodus’, meanwhile the group began forays into remixing the likes of Pendulum, Moby and Amon Tobin and producing tracks for other artists such as Foreign Beggars’ ‘Contact’ an incredible bass music/hip hop fusion which was way ahead of its time: All of which led to the release of their debut album ‘Split The Atom’ in 2010.
‘Split The Atom’ was a departure from the norm, featuring a wide range of sounds and styles, but all with that distinctive Noisia sound. This was a culmination of seven years of studio knowledge and musical experimentation and it was received with such resounding success that deadmau5 picked it up for a Special Edition re-release on his own mau5trap label. Packed with dance floor anthems and more subdued moments, ‘Split The Atom’ was a milestone in Noisia’s already glittering career.
Enlisted by the likes of Skrillex, Labrinth, deadmau5, Mark Knight ft. Skin and The Prodigy for remixes, Noisia’s career continues to grow as the Dutch trio have become one of the hottest DJ-production outfits around; a fact confirmed by numerous awards, including being voted Best D&B Act three times at the Beatport Music Awards. Noisia were commissioned to write three tracks for Korn’s album ‘The Path of Totality’ and have written and licensed music to video games including Devil May Cry 5, Wipeout 2048, Gran Turismo, Ridge Racer and SSX Snowboarding and blockbuster movie trailers, including the launch trailer of Transformers 3: Dark of the Moon.
Meanwhile the group continue to pay homage to their roots by signing and developing some of the most exciting bass music artists to their Vision, Division and Invisible labels, travelling the globe and destroying some of the biggest festivals and arenas in the world – from Coachella to their own Noisia Invites events at Amsterdam’s infamous Melkweg and their own hometown of Groningen. No matter what Noisia’s vision is clear, these incredible producer’s producers will always stick to their guns, pushing an uncompromisingly original, emotional and visceral sound.Los Angeles native, TOKiMONSTA (Jennifer Lee) is known for her unique take on electronic,hip hop, and dance music. Her classical upbringing and eclectic taste in music has allowed her to create vast textural soundscapes—a reverberation that fuses vintage sensibilities with progressive inclinations. Since 2010, she has released 2 full albums, 2 EPs, 2 vinyl only singles through Ultra Records (US), Sony (Korea), Brainfeeder/Ninja Tune (US/UK), Art Union (Japan), Black Acre (UK), Ramp (UK), and All City (Ireland).Her music has been recognized by the very best in tastemaker and mainstream media. TOKiMONSTA has been featured on various worldwide radio programs such as: BBC Radio1 (UK), NPR (USA), BBC World Service (UK), J Wave (JP), Studio Brussels (BE), Radio Nova (FR), KCRW (LA) to name a few. Subsequently, DJ Mag, Pitchfork, The Guardian, XLR8R, Paper, LA Times, Dazed and Confused, SPIN, Wax Poetics, MTV, VIBE, Billboard, Rolling Stone, Sound and Recording and more have covered her. She has been ranked by LA weeklyas LA’s best female DJ (noting her versatility as a producer). Additionally, Resident Adviser featured her for their ‘Breaking Through’ series, which focuses on the next break through artist. Not only has she caught ears of many as a different dimension of Los Angeles-based music, TOKiMONSTA is notably the first female to join Flying Lotus’ crew/label BRAINFEEDER, which is on the forefront of LA music scene.Recognition of her music has given her the opportunity to tour the world. In a never-ending effort to stay on top of technological and musical advances, she uses cutting edge technology with pieces of musical and multimedia gear. She participated in the prestigious Red Bull Music Academy in London in 2010. In the summer of 2012, she was apart of the Full Flex Express tour, the first electronic music themed train tour that traveled across Canada with Skrillex, Diplo, Pretty Lights, and Grimes. She performed on the very first SS Coachella–Golden Voices’ first ocean cruise festival. Some notable past performances were at Coachella, Sonar Barcelona, DEMF, WMC, Electric Zoo, SXSW, Camp Bisco, Decibel Festival, What The Festival, and Burning Man.