Simply put, The Rebirth Brass Band is a New Orleans institution. Formed in 1983 by the now infamous Frazier brothers, the band has evolved from playing the streets of the French Quarter to playing festivals and stages all over the world.
Rebirth is committed to upholding the tradition of brass bands while at the same time incorporating modern music into their show. Their signature brand of brass funk has won over several generations of music lovers, and in a post-Katrina world, their name and music have become the soundtrack to their musically rich hometown.
In the wake of the sometimes-stringent competition amongst brass bands, Rebirth is the undisputed leader of the pack, and they show no signs of slowing down.One of the dominating names in the San Francisco Bay Area live music scene, Forrest Day and his phenomenal five piece band, complete with bass, drums, keyboard, guitar, and the incredibly talented singer/sax player/songwriter, Forrest Day, are absolutely of fire right now. They are selling out many of the large venues in The Bay Area and have just come of their successful first National Tour. They are a genre-defying band, supported by a sound that draws from hip-hop, punk, reggae, pop, circus music and jazz. Day’s lyrics are relevant and political, humorous and insightful. Their live shows consistently amaze audiences with their high energy, intensity, and their very danceable songs. A few limited edition copies of their new full-length, self-titled album are available at their shows, with a full-blown, world-wide release scheduled for March, 2011.MoPo (aka Robbie Kowal) is one of America’s most versatile, experienced and flat-out joyous party rockers. His decade long mission is to ‘put the party back into the party’, and to connect the casual music fan with the hard core dance music mavens; proving that music is more than just beats. San Francisco’s bootleg indie remix partypusher, is known for a rare ability to play exactly the right music for the moment and an expertise with a wide variety of genres that he seamlessly melds into a coherent blend. Since breaking out as a rare groove Dj in the 90’s he has spent the 21st Century using eclectic club styles, break beat, trip hop and tech funk as a backdrop for his genrebending experiments. From a near religious love of funk and hip hop, to a lifetime study of rock and roll to a massive aptitude for latin, reggae and other outernational formats, MoPo incorporates bits and pieces of music culture into electronic edits that slam the dancefloor. As a backdrop, he creates, edits or chooses only the biggest baddest breaks, hooks and drops to create a sound that truly slams. To the dancer, MoPo is a breath of fresh air, often transforming a room into collective song or crowd chant that connect the audience to the DJ.
These abilities have seen him preceding, following or tagging with a who’s who of breakbeat heroes like Afrika Bambaataa, DJ Icey, Cut Chemist, Grandmaster Flash, James Lavelle, Bassnectar, DJ Vadim, Tipper, Kraak & Smaak, Aquasky, Fort Knox 5, Z-trip. He’s also been among the first DJs to play many a rock festival including an unprecedented 6-year run at Bonnaroo Music & Arts Festival and the first DJ sets ever at Gathering of the Vibes, High Sierra, Berkfest, Caribbean Holidaze, Mid Atlantic Music Experience, and Rothbury festival. He even played at Govt Mule’s legendary ‘Deepest End’ show, called one of the Top 10 shows of the Decade by Jambase. A live turntablist for the indie techno circus The Mutaytor, MoPo has sat in with Parliament-Funkadelic, Galactic, Rebirth Brass Band and BLVD. He has opened for live music legends like James Brown, Maceo Parker, Widespread Panic, String Cheese Incident, Femi Kuti, Sheryl Crow, Spearhead, Jurassic 5, Isaac Hayes, Blackalicious, and Pendulum.